{"title":"Overdrive \u0026 Distortion","description":"\u003cp\u003eDirty boosts to thick distortion and everything in between.\u003c\/p\u003e","products":[{"product_id":"cleveland-music-co-westside-overdrive-premium-marshall-blues-breaker-clone-w-mods","title":"WestSide Overdrive","description":"\u003ch3\u003eWarm, rich and transparent. The sound of an icon, but with more flexibility and at an affordable price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eWestSide Overdrive\u003c\/strong\u003e is inspired by the classic Blues Breaker—both the amp \u003cem\u003eand\u003c\/em\u003e the pedal. After poring over the schematics of the original JTM 45 amplifier, the original pedal, and many pedals based on both, we applied what we feel are the strengths of each to the WestSide. Not content to be a rehash of the past, the WestSide Overdrive offers additional tonal and clipping options, increased output volume, and a powerful presence control so it can play nicely with any rig. The result is a touch-sensitive, bluesy, low-gain overdrive that stacks especially well with our other low- to medium-gain drives, and gives you all the presence you need to stand out. \u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157855957295,"sku":"P-WSOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/westside_front.jpg?v=1769123337"},{"product_id":"cleveland-music-co-eastside-overdrive-premium-timmy-clone-w-mods","title":"EastSide Overdrive","description":"\u003ch3\u003eA tonally flexible, transparent overdrive circuit. Evolved, and at a great price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. EastSide Overdrive is our love letter to the pinnacle of transparent, boutique overdrives: the Timmy. Its low- to medium-gain tones can be dialed in for anything from a powerful, dirty boost for stacking with other pedals, to flat out rock-n-roll grind. With a potent EQ section and plenty of output volume to spare, the EastSide can easily push an on-the-edge amplifier’s tubes into overdrive territory.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157909795119,"sku":"P-ESOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/eastside_front.jpg?v=1769263651"},{"product_id":"cleveland-music-co-the-heights-dynadrive-premium-zendrive-clone","title":"The Heights Dynadrive","description":"\u003ch3\u003eThe sound and feel of the near-mythical Dumble amplifiers in an affordable pedal.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. Heights Dynadrive is our tribute to the timeless Zendrive. While it’s a favorite of Blues guitarists, it also makes a great medium-gain rock-n-roll overdrive with a highly dynamic touch. And if that weren’t enough, the Heights stacks really, really well with many other drive pedals; try it before or after our EastSide Overdrive.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157915955503,"sku":"P-HTSOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/hts_front.jpg?v=1769263697"},{"product_id":"cleveland-music-co-superior-overdrive-mkii-premium-blues-breaker-timmy-clone-w-mods","title":"Superior Overdrive","description":"\u003ch3\u003eA space-saving, rugged, and enormously versatile overdrive platform at an affordable price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eSuperior Overdrive\u003c\/strong\u003e is a 2-in-1 pedal packed with 2 of our most popular overdrives, and they happen to stack extremely well. Use them individually, set them both to detonate, or dial one in as a boost to help you cut through the mix. These two circuits stacked like this is just glorious; better than any other combination we’ve played. That’s why it’s called the Superior Overdrive.\u003c\/p\u003e\n\u003ch2\u003eEastSide Overdrive (first in the signal chain)\u003c\/h2\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eEastSide Overdrive\u003c\/strong\u003e is our love letter to the pinnacle of transparent, boutique overdrives: the Timmy. Its low- to medium-gain tones can be dialed in for anything from a powerful, dirty boost for stacking with other pedals, to flat out rock-n-roll grind. With a potent EQ section and plenty of output volume to spare, the EastSide can easily push an on-the-edge amplifier’s tubes into overdrive territory.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVOLUME:\u003c\/strong\u003e sets the overall output volume. There is quite a lot of output on tap, which makes the EastSide a great boost option for stacking with other overdrives, or slamming the front of your favorite tube amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGAIN:\u003c\/strong\u003e Clockwise for more gain; counter-clockwise for less. While there is a little more gain available than typical transparent overdrives, the EastSide is still a medium-gain pedal. \u003cem\u003ePro tip: putting a boost or another drive in front of the EastSide can push it into high-gain bliss!\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTREBLE:\u003c\/strong\u003e Works like you would expect: adds or cuts treble. Clockwise for more; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBASS:\u003c\/strong\u003e Adds or cuts bass. Clockwise for more; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCOMP | SYM | ASYM:\u003c\/strong\u003e Selects between three clipping options:\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCompressed\u003c\/em\u003e aggressively clips the signal, producing a rich, saturated overdrive tone. This is the least transparent setting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymmetrical\u003c\/em\u003e clips the peaks and valleys of the signal equally, resulting in a smooth, sustained overdrive tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAsymmetrical\u003c\/em\u003e clips the waveform unequally, creating a more open tone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe EastSide features an internal trimpot that allows you to fine-tune the bass frequencies prior to the distortion stage of the circuit. Great for “hot” humbuckers that tend to overpower typical overdrives.\u003c\/p\u003e\n\u003ch2\u003eWestSide Overdrive (second in the signal chain)\u003c\/h2\u003e\n\u003cp\u003eThe Cleveland Music Co.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWestSide Overdrive\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis inspired by the classic Blues Breaker—both the amp \u003cem\u003eand\u003c\/em\u003e the pedal. After poring over the schematics of the original JTM 45 amplifier, the original pedal, and many pedals based on both, we applied what we feel are the strengths of them all into the WestSide. Not content to be a rehash of the past, the WestSide offers additional tonal and clipping options, increased output volume, and the powerful presence control makes it feel at home in any rig. The result is a touch-sensitive, bluesy, low-gain overdrive that stacks especially well with our other low- to medium-gain drives, and gives you all the presence you need to stand out.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVOLUME:\u003c\/strong\u003e Sets the overall output volume. Unity gain is around 2 o’clock, so the classic “low-gain, high-volume” configuration can really push the front of a tube amp with the volume cranked.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGAIN:\u003c\/strong\u003e Clockwise for more gain; counter-clockwise for less. There is a little more gain available than from typical pedals of this style, so be brave and explore. But for those looking for the so-called traditional sweet spots, try the 9 o’clock to noon range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePRESENCE:\u003c\/strong\u003e Sets the amount of Presence. \u003cstrong\u003e\u003cem\u003eFully counter-clockwise for most rigs (start here!)\u003c\/em\u003e\u003c\/strong\u003e; clockwise to brighten up a dark amp or guitar pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTONE:\u003c\/strong\u003e Clockwise for more treble; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCOMP | OPEN:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCompressed\u003c\/em\u003e is the traditional clipping option for this style pedal, producing a rich, saturated overdrive tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOpen\u003c\/em\u003e inserts LEDs as the clipping diodes, resulting in a brighter, louder, and more open sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrue-bypass switching. Jacks and power are on the top to save space on your pedalboard, and the pedal is industry-standard 1590BB size (4.7 in x 3.7 in x 2.5 in, including knobs).\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44158008525103,"sku":"P-SUPOD-1","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/sup_front.jpg?v=1769263846"},{"product_id":"old-stone-overdrive","title":"Old Stone Overdrive","description":"\u003ch4\u003eThe mean, green midrange machine. Refined and redefined. Scream better.\u003c\/h4\u003e\n\u003cp\u003eSure, this circuit has been done so many times that we’re all green in the face. A classic is a classic for good reason, but when a classic is a launching pad rather than a thing to be copied? That’s an inspiration.\u003c\/p\u003e\n\u003cp\u003eThe Cleveland Music Co. Old Stone Overdrive isn’t just another son or brother of the fabled Tube Screamer. First of all, the signature midrange honk has been tamed just a touch. And with true-bypass switching, 3 clipping options, improvements to the tone control, and selectable pre-gain EQ modes, the Old Stone is more like a versatile distant relative. So, maybe a third cousin twice removed? We don’t know. We’re still waiting on the DNA test results. In any case, who cares? The Old Stone just screams better.\u003c\/p\u003e\n\u003ch4\u003eControls\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLEVEL:\u003c\/strong\u003e Sets the overall output level of the pedal. Clockwise for more output; counter-clockwise for less.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eTONE:\u003c\/strong\u003e Adds or cuts treble. Clockwise adds treble; counter-clockwise cuts treble. The Old Stone has a slightly reduced midrange response compared to an original Tube Screamer.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDRIVE:\u003c\/strong\u003e Adjusts the gain of the pedal. Clockwise for more drive; counter-clockwise for less.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eASYM | SYM:\u003c\/strong\u003e Toggles between different clipping diode configurations.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eASYM\u003c\/em\u003e is asymmetrical clipping. This produces what some call a slightly more open, brighter tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSYM\u003c\/em\u003e is symmetrical clipping. This is the back-to-back silicon diode clipping found in so many classic dirt pedals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cem\u003eBONUS! \u003c\/em\u003e\u003c\/strong\u003eThe middle position of this switch selects two red LEDs as the clipping diodes. This provides more volume and bite, which transforms the Old Stone into a beastly boost pedal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFAT | STOCK:\u003c\/strong\u003e Selects between pre-clipping EQ options.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cem\u003eFAT\u003c\/em\u003e adds bass frequencies to the signal in the gain and clipping stage, which produces a warmer, rounder tone and a touch more apparent gain. Great for bridge single coils!\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cem\u003eSTOCK\u003c\/em\u003e leaves the EQ as-is. But note that the Old Stone is not as midrange-humped as a typical screamer-type pedal.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrue-bypass switching. Top-mounted audio and DC power jacks. No battery snap provided. The pedal is industry-standard 125B in size.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44566777790767,"sku":"P-OSTNOD-1","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/products\/old_stone_ltd_front.jpg?v=1677520640"},{"product_id":"flats-distortion","title":"Flats Distortion","description":"\u003ch3\u003eGo ahead and party like it’s 1981. But bring along more gain, EQ, and clipping options.\u003c\/h3\u003e\n\u003cp\u003eWhat if a Rat and a Mudhoney had a baby, and that baby learned new gain structure options, grew a tilt style Voice control, and dabbled in its teen years with germanium clipping? That rebellious kid would be the Cleveland Music Co. \u003cstrong\u003eFlats Distortion\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44566877897007,"sku":"P-FLTDST-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/products\/flats_side.jpg?v=1677521451"}],"url":"https:\/\/clevelandmusicco.com\/collections\/overdrive-distortion.oembed","provider":"Cleveland Music Co.","version":"1.0","type":"link"}