The Midgeapocalypse Vintage Fuzz is tailor-made for anyone who likes their fuzz gnarly, spitty, gated, and mean. The “Midge” is inspired by the classic FY-2 fuzz. It sports a distinctive vintage voice and tonal enhancements as modern as its looks. This one is not for the uninitiated. Learn more.
Cleveland Music Co. effect pedals, amplifiers, and guitars are based on—and inspired by—the most sought-after music gear ever created. All Cleveland Music Co. gear is expertly handmade in limited runs in Cleveland, Ohio.
Cleveland Music Co. effect pedals, amplifiers, and guitars are based on—and inspired by—the most sought after music gear ever created. Expertly handmade in limited runs in Cleveland, Ohio.
The discount is automatically applied in your cart. More tone, for less.
Class A Input Buffer? Also yes.
Choosing between the two is as easy as flicking a switch.
The Bleepcakes is our spin on the mysterious Harmonic Percolator, featuring additional tone and wave shaping capabilities. With an adjustable diode lift control, you can dial in just the right mix of transistor overdrive and rich, harmonic fuzz.
An open, transparent overdrive with versatile tone-shaping options, the Eastside builds on the traditions of one of the most iconic overdrives of the “boutique” era. Sounds great without all the industry-standard buzzwords, too … even if your name isn’t Timmy.
The Flats Distortion has a tight, distinctive character that oozes 1981, but it is much more than a one-trick rodent. It can go from low- to high-gain with the flick of a switch, and offers extended EQ and clipping options, building on one of the most iconic dirt pedals of the era.
The Heights Dynadrive
The Heights Dynadrive is a great-sounding, medium-gain overdrive circuit popular with Blues and Rock players, but is at home in any genre. Some people are saying The Heights emulates the tone of legendary Dumble amplifiers. OK, that was us. We said that.
Midgeapocalypse Vintage Fuzz
The Midgeapocalypse Vintage Fuzz is tailor-made for anyone who likes their fuzz gnarly, spitty, gated, and mean. The “Midge” is inspired by the classic FY-2 fuzz. It sports a distinctive vintage voice and tonal enhancements as modern as its looks.
Old Stone Overdrive
The Old Stone Overdrive supercharges the notorious green, midrange-humped stomp box that Stevie Ray helped make legendary. With additional clipping configurations, refinements to the tone stack and EQ options, the Old Stone isn’t another rehash: it redefines a classic.
The Smuffle Fuzz is a smash-up of the most desirable vintage muffs with some oft-requested modifications: a less scooped tone stack (think: David Gilmour-esque), and more clarity at lower gain settings. Also rocking a choice of EQ curves, the Smuffle Fuzz is a modern muff without all the low-end mess.
The Superior Overdrive is a 2-in-1 powerhouse pedal packed with our Eastside Overdrive stacked into the Westside Overdrive. This combination of transparent low- and medium-gain drives, with their respective tone and clipping options, offers a remarkably flexible dirt platform.
The Westside Overdrive is a bluesy, mid-gain overdrive inspired by a certain English-made that broke out in 1991 … which was inspired by a certain English-made amplifier from 1962. Don’t worry. There will not be a test. Either way, the Westside provides legendary blues tones without breaking the bank.
The Woollybear is a creamy, squishy, Bender-like fuzz with external bias control and heaps of tone-shaping capabilities. With an all-silicon design for temperature stability, the Woollybear can go from thin, gated and nasal, to flat out thick and syrupy with singing sustain.